To inquire about purchasing CONTACT us at [email protected] or text/call 201 208-8032 or use the contact form beside each image!
Emily Berger Bio & Statement
Emily Berger is an abstract painter who lives and works in Brooklyn, New York. She was born in Chicago and grew up in Massachusetts. Her work has been exhibited internationally and nationally in many galleries, universities and museums. She is included in the American Abstract Artists 75th Anniversary Print Portfolio, an exhibition of which is currently traveling to university galleries around the country. Berger received a BA from Brown University, an MFA in painting from Columbia University, attended the Skowhegan School in Maine and has been awarded several art residency fellowships. Her work has been favorably reviewed in several publications and is included in many private and public collection
“The work is abstract, but some of my inspiration derives from the color and light of the urban landscape around my studio, and from what I see and remember in nature. The landscape comes in and goes out in my work like water or music, a swelling and repetitive movement, with variations, and the sag in the work, evoking gravity and the body, creates more than one kind of rhythm between the curved and the straight, and a slightly volumetric space. In my most recent work I continue to explore these themes in a return to color, a break in linearity with a series of stuttering marks, and interruption of the rectangle as the image forms new relationships to the edge.”
“The work is abstract, but some of my inspiration derives from the color and light of the urban landscape around my studio, and from what I see and remember in nature. The landscape comes in and goes out in my work like water or music, a swelling and repetitive movement, with variations, and the sag in the work, evoking gravity and the body, creates more than one kind of rhythm between the curved and the straight, and a slightly volumetric space. In my most recent work I continue to explore these themes in a return to color, a break in linearity with a series of stuttering marks, and interruption of the rectangle as the image forms new relationships to the edge.”